the Danish Design Museum: the fucking apex of my trip. funnily enough, I was wandering aimlessly and totally stumbled onto it by mistake. I'd wanted to go but had gotten distracted over the past several days. fate, you saucy wench!
the front room: multiple lounge chairs and me. and over there, them. this chair was the only one with the lip at the base.
apparently the "next wave" of design is/will focus on sustainable and recycled products. these are made from plastic.
stacked paper and corrugated cardboard.
the Utopia and Reality room.
the off-centeredness bothers me less now.
the poster in the back is for a corn festival.
the three graces! I fucking love Arne Jacobsen's work and here it is! I felt like a goddamn schoolgirl! the Drop (1958), the Egg (1957), and the Swan (1959)!
a Henning Larsen chair.
this epic piano constructed of steel, leather, wood, and polymer.
I love the aesthetics of little, disposable things: packaging, labels... for example, directly outside the museum was this fantastic cup in this petally trash can. someone took the time to design these things! it didn't have to be attractive, or even terribly functional, but it is. it's exhilarating to be reminded of how many lovely details constantly surround us for the sheer sake of pleasure.
and abutting the museum, tenacious bucolia!
apparently the "next wave" of design is/will focus on sustainable and recycled products. these are made from plastic.
stacked paper and corrugated cardboard.
the Utopia and Reality room.
the off-centeredness bothers me less now.
the poster in the back is for a corn festival.
the three graces! I fucking love Arne Jacobsen's work and here it is! I felt like a goddamn schoolgirl! the Drop (1958), the Egg (1957), and the Swan (1959)!
a Henning Larsen chair.
this epic piano constructed of steel, leather, wood, and polymer.
I love the aesthetics of little, disposable things: packaging, labels... for example, directly outside the museum was this fantastic cup in this petally trash can. someone took the time to design these things! it didn't have to be attractive, or even terribly functional, but it is. it's exhilarating to be reminded of how many lovely details constantly surround us for the sheer sake of pleasure.
and abutting the museum, tenacious bucolia!
flowers commemorating the Paris attacks. I didn't see if this was the French embassy or not; I was distracted by the loud Americans behind me. "I can do a pretty good French accent" the dude said, and then he did, that "hoh hoh!" laugh- so fucking inappropriate in front of this, of all places. I was embarrassed by proxy. I can hear fellow Americans noisily babbling half a block away, and most of their conversations are inane. sometimes traveling makes me feel bitchy and prissy and yes, incredibly self-judgmental of my own jhypocrisy.
it was a nice day.
Centrum.
the blue study.
Arne Jorgensen designed the SAS hotel in 1959.
this is its cafe. note the vertical swings of Tivoli Gardens in the reflection! that was a happy accident. I'm in there too, somewhere.
the SAS lobby. I think it's owned by fucking Radisson now. a guy came over to assist me. "I'm just here for the design!" I said cheerily. he smiled and walked away.
lobby stairs Worthy of a Dramatic Descent.
the building in which I have dwelt for
it's a Shallow Grave kinda stairwell.
Vesterbro at night.
it was a nice day.
Centrum.
the blue study.
Arne Jorgensen designed the SAS hotel in 1959.
this is its cafe. note the vertical swings of Tivoli Gardens in the reflection! that was a happy accident. I'm in there too, somewhere.
the SAS lobby. I think it's owned by fucking Radisson now. a guy came over to assist me. "I'm just here for the design!" I said cheerily. he smiled and walked away.
lobby stairs Worthy of a Dramatic Descent.
the building in which I have dwelt for
it's a Shallow Grave kinda stairwell.
Vesterbro at night.